Selasa, 31 Desember 2013

[G579.Ebook] Ebook Download A Maritime Archaeology of Ships: Innovation and Social Change in Late Medieval and Early Modern Europe, by J. R. Adams

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A Maritime Archaeology of Ships: Innovation and Social Change in Late Medieval and Early Modern Europe, by J. R. Adams

In the last fifty years, the investigation of maritime archaeological sites in the sea, in the coastal zone and in their interconnectiong locales, has emerged as one of archaeology's most dynamic and fast developing fields. No longer a niche interest, maritime archaeology is recognised as having central relevance in the integrated study of the human past. Within maritime archaeology the study of watercraft has been understandably prominent and yet their potential is far from exhausted. In this book, Jon Adams evaluates key episodes of technical change in the ways that ships were conceived, designed, built, used and disposed of. As technological puzzles they have long confounded explanation but when viewed in the context of the societies in which they were created, mysteries begin to dissolve. Shipbuilding is social practice and as one of the most complex artefacts made, changes in their technology provide a lens through which to view the ideologies, strategies and agency of social change.



Adams argues that the harnessing of shipbuilding was one of the ways in which medieval society became modern and, while the primary case studies are historical, he also demonstrates that the relationships between ships and society have key implications for our understanding of prehistory in which seafaring and communication had similarly profound effects on the tide of human affairs.

  • Sales Rank: #2465173 in Books
  • Brand: Brand: Oxbow Books
  • Published on: 2013-12-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.88" h x .65" w x 8.54" l, .0 pounds
  • Binding: Paperback
  • 272 pages
Features
  • Used Book in Good Condition

Review
Adams possesses an enviable knowledge of ships and maritime archeology and he discusses technical issues in a lucid manner. (Anthony J. Papalas, East Carolina University The Medieval Review, 15.09.15)

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Five Stars
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Minggu, 29 Desember 2013

[P435.Ebook] Ebook Darksiders: The Abomination Vault, by Ari Marmell

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Darksiders: The Abomination Vault, by Ari Marmell

Ride with the Horsemen of the Apocalypse as they seek to unearth a plot that could plunge all of Creation into chaos!
 
Ages before the events of Darksiders and Darksiders II, two of the feared Horsemen—Death and War—are tasked with stopping a group of renegades from locating the Abomination Vault: a hoard containing weapons of ultimate power and malice, capable of bringing an end to the uneasy truce between Heaven and Hell . . . but only by unleashing total destruction.
 
Created in close collaboration with the Darksiders II teams at Vigil and THQ, Darksiders: The Abomination Vault gives an exciting look at the history and world of the Horsemen, shining a new light on the unbreakable bond between War and Death.

  • Sales Rank: #614722 in Books
  • Published on: 2012-07-24
  • Released on: 2012-07-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.19" h x .76" w x 5.50" l, .63 pounds
  • Binding: Paperback
  • 368 pages

About the Author
Ari Marmell is the author of The Conqueror’s Shadow and The Warlord’s Legacy. He has published a fair amount of shared-world fiction, including several short stories and Agents of Artifice, a Magic: The Gathering novel. Marmell lives in Austin, Texas, with his wife, George, and two cats.

Excerpt. © Reprinted by permission. All rights reserved.
CHAPTER ONE

The ashes seemed to go on forever.

A thin layer at first, very much like a gentle coating of gray, clinging snow. Deep enough, if only just, to retain the imprints of passing feet--or would have, had there been any.

After barely a few finger widths, however, the fine particles began to compress, suddenly and swiftly. A light dusting became a shifting grit, then a sucking mire. And below even that, the ash had lain so deep, for so long, it had condensed into a layer as unyielding as any earthen crust. If this world even had a surface beyond the omnipresent dust and cinders, it was buried so utterly that it would never again appear to the living.

It filled the air as well, that ash, casting a constant veil across the face of the horizon. It diffused the light into perpetual dusk, blotting out the lingering embers of what had once been a sun. For those rare few unfortunate enough to pass through, it smelled of burnt oils and singed meats; clung to the nostrils and throat in an oily film. The wind was perpetual across the barren land, unimpeded by mountain or forest or wall, refusing to ever let the choking soot settle.

Equally constant, audible over the roaring winds only if one made the effort to listen, came the tolling of an impossible, and impossibly distant, bell. It could not exist, did not exist, anywhere in this blasted realm. Only a lingering echo of what once was, it sounded not so much in the ears as in the memory.

Not merely a dead world, this, but a murdered one. What wide and varied life had once thrived here was long since stripped away, leaving nothing behind but death.

And, more recently, Death.

He stood at the edge of a colorless dune, before a squat, rounded structure, little more than a blister in the ashes, browned and pitted with age. Even the windswept soot seemed unwilling to touch him, rushing around him in short, sharp flurries. The soles of his age-worn boots remained atop even the flimsiest layer of packed ash, as though he were weightless--or perhaps, again, it was merely that the ash wanted nothing to do with him.

Hair as black as a demon’s shadow hung to his shoulders in matted, greasy locks. Below them, torn and stained streamers of bruise-violet fabric whipped and trailed from the back of his belt; perhaps the only remnants of what had once been a tunic or cloak, perhaps something more. The dark leathers and piecemeal armor he wore from the waist down, and the fraying strips that wrapped his palms and forearms, were equally grimy and unkempt. The skin of his exposed torso, shrunk tight over a wiry frame, was the dull gray of a corpse even without the filth in the air.

Only the deeply scored mask hiding his face from all Creation still retained some semblance of cleanliness, of its original bone white. The gaping sockets--through which eyes of burning orange gleamed, unblinking--and the mask’s general shape were enough to evoke a skull in any viewer’s imagination. The lack of mouth, or most other features, somehow made it even worse.

No sentient being remained anywhere in this world to gaze upon him, and the ash-choked air would have made him almost impossible to see even if there were. And still he did not remove the mask; had not, in fact, even given thought to the possibility. It was a part of him now, an immutable barrier between who he was and who he once had been.

Death stood, his hands raised before him, his mask shuddering slightly as his mouth formed constant, silent chants. The magics of the oldest Horseman swept through the winds, delving deep into the ash, and where nothing lived, the ancient dead responded.

Bones, petrified by time and stained by soot, worked and wiggled like snakes on their way to the surface. They punched through to open air, rearing into a veritable thicket and slowly pressing themselves tightly together. They danced, however briefly, to an orchestra that only Death could hear.

Long since dried to flecks of powder, the blood of a thousand corpses transformed once more to liquid, sluicing and bubbling from the depths. Where the bones did not fit perfectly together, that blood surged into the gap, mixing with ambient ash to form a thick, viscous mortar. And where the macabre construction required more meticulous handling than the raw materials could manage, there appeared Death’s helpers. Ghouls--the desiccated corpses of beings never native to this world--materialized from the ether, reanimated and drawn through the walls between realms by the Horseman’s will. With mindless obedience but impossible precision, they arranged the jagged bones just so.

With surprising rapidity, guided by Death’s magic and servants both, a low building began to form over and around the smaller structure. Every so often, faces appeared briefly in the ash to study him as he worked his necromancies--phantoms, perhaps, of the world before, or maybe just tricks of the light.

He sensed the sudden surge of life, a creature appearing nearby where there had been none, at the same moment he heard a warning squawk from above. Wings beating rapidly against the wind, shedding mangy feathers, a hefty crow circled twice and settled on his shoulder.

“Yes, Dust.” Death’s voice was low, sonorous, a stale draft from a yawning sepulcher. “I feel it, too.”

He raised a hand, and the weapon he’d casually laid aside heaved itself into his waiting grip. The scythe was enormous, taller than its wielder. Its blade was a hideous thing, jagged and crafted like the wing of some great beast, longer than Death’s outstretched arms fingertip-to-fingertip. The ghouls ceased their labors and turned in unison, ready to march at the slightest thought.

Dust emitted a second piercing call and took to the air once more--partly to scout for enemies, yes, but also in part to remove himself from possible danger.

“Coward,” Death said, though his tone was not unkind.

He squinted, peering into the soot-thickened wind, and made a swift decision. As quickly as he could think it, his scythe flowed, fluid for less than the blink of an eye. Death was now holding two weapons where there had only been one: two crescent blades, thick and heavy, shaped like knives but larger than most swords. Blades that would be easier to swing and thrust through the violent gusts than the longer, broader scythe.

“I didn’t know you could do that.”

Death had never heard that voice, high and sneering, before. But between the sound and the silhouette appearing through the cloud, he recognized his visitor all the same.

“I am Death,” he said simply, without pomp or vanity, “and Harvester is bound to me. Whatever tools I require to serve my function, it can emulate. Hello, Panoptos.”

“You’ve heard of me! I’m flattered.”

The dusky figure that finally materialized was peculiar even by the Horseman’s standards. Gaunt, almost spindly, humanoid from the waist up, tapering off into semi-solid vapors below. Its arms and fingers were stretched and distended, its wings serrated and broad. Its oblong face, like Death’s mask, lacked anything resembling a mouth, though this didn’t stop it from speaking. Instead, it boasted an array of emerald eyes, shifting and flowing across a vaguely gelatinous surface. Nine of them, usually; though between the constant motion, and the fact that one or two would occasionally disappear, only to sprout anew, the number varied moment by moment.

“Don’t be. The Charred Council told me about you,” Death said. “My brothers told me more about you. Care to guess who I’m most likely to believe?”

“Aww . . .” The creature sniggered softly. “Surely you know better than to listen to rumor and gossip!”

“Depends who’s spreading the rumors.” Death allowed Harvester to return to its innate form, that of the single great scythe, and leaned it against the partial wall of bone. At his silent command, the ghouls resumed their labors.

“So,” Panoptos said, flitting this way and that, untouched by the wailing winds. “Welcome back. Such a lovely home you’ve chosen. Very . . . you.” Already concealed beneath the newer walls of bone, the older, inner structure had apparently escaped his notice.

It wasn’t an oversight Death felt compelled to correct. “I enjoy the view.”

“Heh. Strife said you were a sarcastic bastard.”

“What do you want, Panoptos?”

Clearly, the creature had no interest in answering Death’s question, at least not yet. “Where have you been these past centuries, anyway?”

“I wouldn’t tell the Charred Council when they asked. What makes you think I’ll tell you?”

Again that irritating little laugh. “Why, as a gesture of friendship! I so want us to be friends.”

“It’s good to have goals. Keeps us motivated,” Death told him. “But I wouldn’t wager anything you can’t do without, were I you.”

“How unkind! We’ve only just met!”

“And I already despise you. Imagine how much greater my loathing will become when I have gotten to know you.”

Panoptos might have had a retort for that, or not, but Dust chose that moment to decide the newcomer was safe after all. He dropped from above to settle comfortably on Death’s shoulder, puffing out his feathers and shaking off the worst of the soot.

Every one of Panoptos’s eyes blinked in unison. “Where did the bird come from?” he screeched.

“His name is Dust,” the Horseman said.

“That is not what I asked!”

“And yet, it’s the answer you got. The universe works in mysterious ways.”

“Hmph!” Panoptos darted upward, apparently for no other reason than so he could look down on Death. “Does the Crowfather know you’ve absconded with one of his creatures?” he asked petulantly.

The Council’s errand boy doesn’t care for surprises. Could be a useful thing to know. “What do you want, Panoptos?” he repeated. “I have work to do.”

“Indeed you do. I’m here on behalf of the Council.”

Death just looked at him.

“Ah, well . . . Yes, I suppose you guessed as much. Listen well, then. A phalanx of the White City’s finest soldiers was ambushed recently, by an unknown enemy. The Charred Council wishes you to learn who and why, and to--”

“No.”

Four or five of the creature’s eyes threatened to pop from his face. “What do you mean, no?”

“I wasn’t aware the word had multiple meanings,” Death said.

“When you returned,” Panoptos growled, “after half a millennium, you told the Council you were finally ready to assume your duties!”

“And I am, when necessary. But I’m not required for this. Angels under attack? That’s hardly the Council’s affair at all, unless it represents a violation of the treaties with Hell. Assign one of the others; War and Fury are always eager to--”

“The Council sent for you,” Panoptos said. His voice had gone so cold, frost practically formed along the edges of the words.

“I’m busy trying to make a home for myself.” Death began to turn back to his endeavors.

“You’ll want to look into this yourself, Death.”

“Oddly, I don’t.”

“Oh. Did I neglect to mention that this happened at the borders of Eden?”

Death spun back quickly enough to dislodge Dust from his shoulder. The crow offered an offended caw and fluttered over to perch, sulking, on the half-built structure.

Even without a mouth, Panoptos gave the impression of a sly grin. “I suppose I probably ought to have mentioned that first thing, shouldn’t I?”

The Horseman’s fist were clenched around the haft of Harvester; he didn’t even remember summoning it back to him. Had Panoptos been nearer, it might well have been his throat in the weapon’s place.

“What were the angels doing there? Did anyone breach the garden? Did the assailants get in?”

“I don’t know.” Perhaps realizing he’d pushed a bit further than was safe, Panoptos rose even higher, and his tone softened a touch. “Honestly, I don’t. The Council’s only now hearing first reports of the engagement.”

“Anything else you’ve neglected to mention?” Death rasped up at him.

“Only that the Council wants your report the instant you have an idea of what’s happening. They need to know if this is just another random skirmish at the edges of the treaty, or if something larger is underway.”

Without another word, Death began striding across the desert of ash, leaving the ghouls to finish the work on his home-to‑be. A whistle pierced the air, shrill and painful, one as much spiritual as physical.

And something both spiritual and physical answered the call.

If the reek of decay and the crushing weight of hopelessness took physical form, they would have been the same putrid green as the mist that billowed out of nothing a dozen paces distant. A growing staccato beating resolved itself into the sound of hooves.

Other than the grubby mane and tail, the horse that finally appeared was hairless. Its skin was nearly the same corpse gray as Death’s, and hung open in ragged tears, displaying bone and rotting muscle. From those wounds, from its nostrils and between its broken teeth, and from cracks in its hooves, that mist seeped in constant clouds. The saddle was black leather, worn and tattered; the bridle, a rusted chain.

Death hauled himself into that saddle with a single smooth motion. Harvester, despite its length, never once impeded him. Scarcely had he settled when Dust landed once more on his shoulder. Death nodded once to the crow, a second time to his mount. The horse broke into a gallop that should have been impossible on the soft and shifting surface.

For the first time in five hundred years, the eldest of the Horsemen rode out into Creation to do the bidding of the Charred Council.

Before them, the walls of reality parted, as ephemeral as cobweb and just as readily swept aside. The barren world on which Death had made his home fell away, less palpable than a forgotten dream, and they were elsewhere.

Or, more accurately, nowhere.

Above and all around them were swirling currents of white. Not white mist, or cloud, or haze; just white. Calling it “nothing” lacked accuracy, as this was no absence, but a presence. It just happened to be the presence of emptiness made manifest.

The only real substance wound below them, a snaking trail of reality on which the beast’s hooves trod without sound. Held steady and solid by the power of the Horseman’s will alone, it was quite literally a path between worlds. The rolling whiteness around them muffled sound, offered little sensation of motion--but here, distance had no meaning anyway. The journey from one reality to the next would take as long as it took, and not even Death truly knew why.

The tedium afforded him the opportunity to think on what had happened. It wasn’t necessarily an advantage.

Eden. He could have gladly gone until the end of time without ever again hearing the name Eden.

Most helpful customer reviews

27 of 28 people found the following review helpful.
The Dark Side Has Cookies So C'mon!
By Nickolas X. P. Sharps
I'm one of those guys that plays video games for the story. I much prefer a solid campaign over online multiplayer any day of the week. For this reason I am a huge advocate of tie-in fiction. I love to delve deeper into characters and events that are barely touched upon while playing the game. When I caught word of a prequel novel to the Darksiders franchise from THQ my interest was piqued. When I saw that it would be penned by Ari Marmell, author of the Young Adult Widdershins series, I was sold. May I present you, DARKSIDERS: THE ABOMINATION VAULT.

There exists a vault containing weapons of unimaginable power. The vault remains a legacy of the atrocities committed by the Nephilim. Of the four Horsemen, the last surviving Nephilim and protectors of the Balance, only Death is aware of its being. Now an unknown enemy strikes from the shadows, intent on acquiring the weapons stored within the vault and unleashing a wave of destruction across Creation. Only Death, with the assistance of his younger brother War, has the ability to prevent the coming catastrophe.

I know what you're thinking, how deliciously melodramatic! Oh and it is. I eat this sort of thing right up. As a fan of the Darksiders video games and an even bigger fan of the Darksiders lore, how could I not want to read this book? Combine that with the sharp wit of Marmell and you have a winning combination.

I have to admit, I found myself pleasantly surprised at the level of characterization bestowed upon Death. I won't pretend that he is the deepest of characters but there are levels of complexity beyond super powered Horseman of the Apocalypse. Death's facetious responses to every given question can become grating after a time, but until that time comes it continues to be tongue-in-cheek funny. I found myself laughing every time Death interacted with his craven crow Dust and I very much hope this carries over into the game itself. What Ari does best with Death is pair him up with War. Though both are Horsemen it quickly becomes apparent that they have very dissimilar styles. Death is a subtle and agile assassin with a history so dark he refuses to share it, even with his fellow Horsemen. War is a soldier at heart, choosing the direct approach with overwhelming force. While Death picks and chooses his objectives as he sees fit, War instead follows the Charred Council's missions to the letter. I find this use of comparison a wise move, especially when pairing the novel with the upcoming Darksiders II, where Death will be replacing War as the protagonist.

As Death races to prevent the Abomination Vault from being unlocked he crosses paths with faces bound to be familiar to the fans. Anyone who has not yet played Darksiders and is reading this book on its own merits is unlikely to find themselves a fish out of water. The concepts and characters are straightforward enough to grasp in one sitting. The lore itself is only expanded by the novel, providing backstory on Death and other notables while serving as a reminder for what drew me to the franchise to begin with. There are angels and demons and Horsemen of the Apocalypse but the story strays far from Biblical, establishing its own fiction.

Marmell's clever prose is evident but not as distinguishable as it might have been without outside influences. The narrative is more linear than I would prefer, evidently resembling stage progression in a video game. The action is fluid, exhibiting the combat differences between Death and War. Death's shapeshifting scythe, Harvester, is wicked cool and I'm eager to wield it in game. I can imagine THQ developing downloadable content based on DARKSIDERS: THE ABOMINATION VAULT, and I fully approve of the idea.

Tie-in fiction has an undeservedly bad reputation with the literary crowd. DARKSIDERS: THE ABOMINATION VAULT aptly demonstrates that in the right hands, tie-in fiction can be just as good as any other book you will find in the genre. Marmell respects the source material, expands the lore, and boosts anticipation of the coming game. This makes for a successful combo.

Recommended Age: 14+
Language: Nothing more than mildly offensive.
Violence: With characters named War and Death...well...you can do the math.
Sex: None.

Nick Sharps
Elitist Book Reviews

6 of 6 people found the following review helpful.
Great
By Edrick
This book is a great way to learn a bit more about how the Darksiders universe works and flesh out the characters a bit more. I nearly finished it in one sitting.

6 of 6 people found the following review helpful.
Darksiders The Abomination Vault
By Death
Best book I read since Assassin's Creed's book. I highly recommend buy this, even if you have never played the game it's well worth the read. :D

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Jumat, 27 Desember 2013

[J572.Ebook] PDF Download Middle Game in Chess, by Reuben Fine

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Middle Game in Chess, by Reuben Fine

Middle Game in Chess [Dec 12, 1979] Fine, Reuben

  • Sales Rank: #1961686 in Books
  • Published on: 1979-12-12
  • Released on: 1979-12-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 2.00 pounds
  • Binding: Paperback

Most helpful customer reviews

11 of 12 people found the following review helpful.
A Renowned Master And Author At His Best: Still Current
By A Customer
Reuben Fine was one of the world's leading chess authors - as well as being a strong master himself -and was extremely influential and well-known. I bet if you asked 100 Grandmasters and authors, 98 would've heard of Fine. In this book, Fine emphasizes developing in the player the ability to analyze a position and to proceed accordingly. There are sections on mating attacks; combination play; how to handle superior positions, even positions; continuations of the openings; and transition to the end game. Maybe many of us think that the old books are outdated and stodgily written. Not so with Fine. I think that this is a clearly-written tutorial book, excellent for learning to plan, and more "solid" than say Silman's "How To Reassess Your Chess." If you see this available anywhere, BUY IT!

3 of 3 people found the following review helpful.
Still the best among many competitors
By Amazon Customer
This volume by the estimable Reuben Fine, in my opinion, still ranks as the finest incisive overview of the Middle Game in Chess.

Since tactical motifs, combinations, and just plain not going periodically blind (as all humans do) are such key elements of the Middle Game, it is a topic that is especially difficult to write about in a useful manner.

The organization, thoroughness, and suitability to players at the club and middle tournament level are what makes this volume so outstanding. Written by one of America's finest and most underrated grandmasters, it is nevertheless completely lucid and full of practical insights that can benefit all players trying to improve their game.

2 of 2 people found the following review helpful.
The Best Middle Game Book
By Robert Watson
There are many good books on openings and the end game, but there are few good books on the middle game. This is the best I've read on the middle game. I never had an official rating, but I hold my won against "A" players. So I would say that this book is definitely useful for up to "A" players and probably beyond.

I used to play the openings reasonably well and could pull off some pretty neat tactical tricks. But if there were no tactical opportunities, I just drifted until the end game. But this books shows how to assess your position and what to make of it from there.

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Rabu, 25 Desember 2013

[F455.Ebook] Download Human Behavior in the Social Environment (New Directions in Social Work), by Anissa Taun Rogers

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This bestseller is ideal for use in either one-semester or year-long generalist human behavior courses. Why? Because the text is concise and easily used in a one-semester course. But the text also comes with a companion set of readings and five unique cases that encourage your students to "learn by doing" and to apply their knowledge of human behavior to best practices. Go to www.routledgesw.com/hbse to learn more. These additional resources easily allow you to use the text (and its related resources) in a two-semester sequence.

  • Sales Rank: #18036 in Books
  • Published on: 2013-02-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 7.50" w x 1.00" l, 1.90 pounds
  • Binding: Paperback
  • 536 pages

Review

"I selected the Rogers book for my class after carefully reviewing nearly a dozen alternatives. The book strikes a nice balance between breadth and depth, allowing me to add supplemental readings without overwhelming students with too much content. My students find the book engaging and they like the use of case examples at the start of each chapter. I recommend this text to colleagues."

--Paul T. Shattuck, Brown School of Social Work, Washington University in St. Louis

"Anissa Rogers’ Human Behavior in the Social Environment is an accessible and practical theory text. The case studies and practice examples, both in the book and on-line, provide students with meaningful insight into the use of theory in realistic social work practice settings. The text also provides students with regular opportunities to develop their critical thinking skills, including a discussion of the strengths and weaknesses of each theory and application questions for students to engage at the end of each chapter."

--Christie Halvor, Social Work, Concordia University

"Bravo for Rogers’ highly readable, comprehensive exploration of human behavior, where lifespan and theory meet practice! Rich cases within the text and interactive website facilitate critical thinking, as students apply and critique assessments and leading edge interventions through the lens of a broad array of traditional and contemporary theoretical perspectives."

--Teri Kennedy, Director, Office of Gerontological Social Work Initiatives, Arizona State University

"Dr. Rogers introduces theory in a matter students understand, and can apply in the field. Students find the case studies invaluable, as they challenge and capture some components of the core competencies, such as, critical thinking, diversity, theoretical frameworks, and assessment. The online resources accompanying the textbook are also excellent tools I have used in the classroom."

--Belinda Bruster, Social Work, Florida Gulf Coast University

About the Author

Anissa Taun Rogers, PhD, LCSW, MA, is Professor of Social Work at the University of Portland in Portland, Oregon. She also serves as the director of the Practicum Program. She teaches courses across the social work curriculum as well as courses on the body, human sexuality, and interviewing and counseling.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By caitlin
Good.

0 of 0 people found the following review helpful.
Good Reference Book
By Lizzie Gaskins
I like this book. We've been using it for my Human Behavior in Social Environment 2 class. I haven't had to use it much (That's really more because of how my professor teaches the class though) but when I have its been a good teaching and reference tool. I intend to keep my copy and use it for future class projects.

1 of 2 people found the following review helpful.
Kindle Ed: Page Numbers are Incorrect
By Amazon Customer
This is not a review on the book itself, but on the kindle version. I borrowed the kindle edition for a class and I've just started reading it. What I noticed already is that the page numbers in the kindle edition does not match the actual book (I compared my kindle edition to the screenshots from Google Books). The pages in the kindle edition start a couple of pages into Chapter 1 when it should be at the very beginning of Chapter 1--I'm not sure if there are any other glitches further into the book or just at the beginning. I realize it's a small detail, but especially for a textbook, it can be really annoying when your instructor and peers are referring to a page and you cannot find the exact location; not to mention, citing this book in a APA style paper is going to be a nightmare.

I'm also looking to send feedback to Amazon, so hopefully it will get fixed soon...

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Minggu, 22 Desember 2013

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  • Binding: Paperback

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Jumat, 20 Desember 2013

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Congo Cables: The Cold War in Africa--From Eisenhower to Kennedy, by Madeleine Kalb

  • Sales Rank: #230792 in Books
  • Published on: 1982-05
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 466 pages

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Guide to Good Cooking

  • Sales Rank: #970192 in Books
  • Published on: 2009-05-01
  • Released on: 2009-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.70" h x .56" w x 5.84" l, .76 pounds
  • Binding: Paperback
  • 224 pages

About the Author
Elizabeth Driver is an independent scholar living in Toronto, and Past President of the Culinary Historians of Ontario. She is the recipient of the Tremaine Medal for 2007 from The Bibliographical Society of Canada.

Elizabeth Driver is an independent scholar living in Toronto, and Past President of the Culinary Historians of Ontario. She is the recipient of the Tremaine Medal for 2007 from The Bibliographical Society of Canada.

Most helpful customer reviews

3 of 3 people found the following review helpful.
I was very disappointed to find that it is not spiral-bound like earlier ...
By Laura L. Tumak
I received my copy of this book in the 80's… Mom mom had hers from the 60's, and Grandma had one, too. My spriral-bound treasure was starting to fall apart from years of use, so I was excited to see this reprint. Upon its arrival, I was very disappointed to find that it is not spiral-bound like earlier editions. I would have taken it to be rebound if only the centre margin was left wide enough for a binding. *sigh* I dragged out my tried-and-true copy, the one with the pages falling out, and started using it again.

2 of 2 people found the following review helpful.
I am disappointed because the recipes are not all identical to the ...
By Doris Hrvatin
I am disappointed because the recipes are not all identical to the ones in my older edition. The pages are also smaller and there are no colour photographs that add personality to the book. It is also missing the wire ring binding that my older edition had. It cannot lay flat on the table and this makes it difficult to read and follow recipes while cooking.

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LOVE IT SO MUCH!!!
By Brenda Henry
I HAD ONE OF THESE COOK BOOKS THAT MY NANNY GAVE ME WHEN I WAS A TEENAGER AND IT HAS BEEN SO WORN OUT AND PAGES FALLING OFF AND I HAVE HAD A WAR WITH MY DAUGHTERS TRYING TO KEEP IT IN MY HOUSE. LOL WELL I GOT IT BACK AND FOUND NEW ONE'S SO I CAN GIVE THEM BOTH ONE OF THERE VERY OWN. I HAVE BEEN TRYING TO GET THIS COOK BOOK FOR YEARS AND HERE IT IS SO GREAT TO FIND IT. THIS IS SO WELL WORTH IT AND THE SMALL TIME I HAD TO WAIT FOR IT. I LOVE THIS BOOK AND YOU WOULD TO IF YOU LOVE TO COOK OR BAKE THINGS ... SO MANY GREAT RECEIPIES SUCH AS THE BANANA NUT LOAF YOU WILL LOVE IT.

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Kamis, 19 Desember 2013

[R609.Ebook] Free Ebook Brewing Classic Styles: 80 Winning Recipes Anyone Can Brew, by Jamil Zainasheff, John Palmer

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Brewing Classic Styles: 80 Winning Recipes Anyone Can Brew, by Jamil Zainasheff, John Palmer

  • Sales Rank: #26833 in Books
  • Brand: Brand: Brewers Publications
  • Model: 3613563
  • Published on: 2007-10-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.62" h x .78" w x 5.79" l, 1.01 pounds
  • Binding: Paperback
  • 317 pages
Features
  • Used Book in Good Condition

About the Author
Jamil Zainasheff started brewing in 1999 and soon started winning awards in homebrew competitions. He has brewed beers in every style recognized by the Beer Judge Certification Program, taken medals in the finals of the National Homebrew Competition every year since 2002 and amassed more than 20 Best-of-Show awards. He contributes articles to Zymurgy and is the Style Profile columnist for Brew Your Own. Author of the homebrewing bestseller How To Brew, John J. Palmer shares his years of hands-on experience to help homebrewers consistently make great beers while expanding their knowledge and experience with the hobby.

Most helpful customer reviews

44 of 46 people found the following review helpful.
Great overview, not a ton of depth
By Geordan
Having listened to the Jamil Show on the Brewing Network avidly, and being a big fan of Palmer's essential "How To Brew," I was excited to get my hands on Brewing Classic Styles. Jamil has said in the past that this book was greatly influenced by Ray Daniels' fantastic "Designing Great Beers," and I'm not surprised -- Daniels' book is an essential brewing resource.

Though there are tons of fantastic recipes in Brewing Classic Styles, it came as a bit of a disappointment -- there is very little depth beyond the basic recipes themselves. Much of the content is repeatedly duplicated, which, while understandable, feels lazy or rushed. Fermentation information, which Jamil stresses often as being the most important aspect of a recipe, is nearly always reduced to a boilerplate 3 sentence paragraph.

Jamil and Palmer state that the book started out as a "how to brew with extract" guide, and it shows: each recipe is delivered as extract based, with all grain options given in a final paragraph. Though this is not really a big deal, I do wish that the all grain recipes had been presented in the same easy to read format as the extract, instead of having to go back and plug in substitutions.

The most enjoyable part of reading the book itself are Jamil's stories regarding certain recipes; I will admit that I find myself wishing for more of these!

In conclusion, "Brewing Classic Styles" is a great collection of recipes that lacks some depth; it does, however, make a fantastic accompaniment to Daniels' "Designing Great Beers," which has all of the depth but no actual recipes.

0 of 0 people found the following review helpful.
Great book full of great recipes
By michael
Great book full of great recipes. I've loved all of the recipes that I have tried in this book and it has helped me become better at crafting my own recipes. Compatible with all grain and extract brewers.

0 of 0 people found the following review helpful.
Best Homebrew Book
By Matthew Szkodny
The best homebrewing recipe book on the market. Buy it and brew each classic style. There's not much more to say, recipes are award winning and solid. Keep it clean!

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Minggu, 15 Desember 2013

[L949.Ebook] PDF Download Gre: Practicing to Take the Physics Test (3rd ed), by Educational Testing Service

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Gre: Practicing to Take the Physics Test (3rd ed), by Educational Testing Service

A GRE physics test practice book, containing: actual tests; complete instructions and answer sheets; answers; score comparison data; and test-taking strategies.

  • Sales Rank: #2115080 in Books
  • Brand: Example Product Brand
  • Published on: 1997-11
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 8.75" w x .50" l,
  • Binding: Paperback
  • 148 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Rview
By Ashurbanipal
It was excellent book even though an old one. I wish I could find the same book but with very recent practice tests.

41 of 42 people found the following review helpful.
Just the tests
By Mike Rust
Sadly, this publication by ETS contains nothing but 3 old GRE physics exams of (presumably) retired questions. The correct answers and the scoring statistics are given, but there is nothing in the way of explanation or discussion or strategies for attacking the test. Still, you should probably get this because its the only place you can get your hands on ETS's actual problems. Other books that purport to train you for the GRE often disturbingly misunderstand what kind of things ETS expects you to know and do on the exam. This book is only helpful if you invest a lot of time in it, but I still reccommend it highly if you plan on taking the physics GRE.

20 of 21 people found the following review helpful.
A book you want to see before the test.
By A Customer
This book neither tells you how to solve the problems nor what knowledge you are expected to have before the test. This book contains only problems and answers. When you think you are ready for the test, this is the book you want to use. This book contains four actual tests and helps you time your exam and get used to the style of the exam. I found "Physics: The Easy Way by Robert L. Lehrman" a good book to review the kind of things asked in GRE physics test. In GRE physics test you are asked a hundred small questions which can be solved almost without calculation. You want to review the essentials and get used to the style of the exam for high score.

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Senin, 09 Desember 2013

[A907.Ebook] Download Tribology of Ceramics and Composites: Materials Science Perspective, by Bikramjit Basu, Mitjan Kalin

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Tribology of Ceramics and Composites: Materials Science Perspective, by Bikramjit Basu, Mitjan Kalin

This book helps students and practicing scientists alike understand that a comprehensive knowledge about the friction and wear properties of advanced materials is essential to further design and development of new materials. With important introductory chapters on the fundamentals, processing, and applications of tribology, the book then examines in detail the nature and properties of materials, the friction and wear of structural ceramics, bioceramics, biocomposites, and nanoceramics, as well as lightweight composites and the friction and wear of ceramics in a cryogenic environment.

  • Sales Rank: #3638532 in Books
  • Published on: 2011-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.30" w x 6.40" l, 1.85 pounds
  • Binding: Hardcover
  • 550 pages

From the Back Cover
Explore the principles of friction, lubrication, and wear from a materials science perspective

Any engineered product assembly, wherein one material slides over or rubs against another is affected by complex tribological interactions, and understanding the science behind these interactions is essential for anyone working to improve the efficacy of new materials and manufacturing technologies. Tribology of Ceramics and Composites provides a rigorous study of how materials science can be used to understand, explore, and harness these interactions. Including introductory chapters on the fundamentals, processing, and applications of tribology, the book is designed primarily to provide students and practicing scientists with a comprehensive understanding of the fundamentals of the nature and properties of ceramic and composite materials as well as the friction and wear of structural ceramics in unlubricated, water-lubricated, and cryogenic environments. This book also includes thematic sections on tribological properties of bioceramics, biocomposites, and nanoceramics, as well as lightweight composites.

"Ceramics and composites represent an important class of engineering materials. The authors are commended for an excellent compilation that brings together some of the fundamental issues and applications of this class of materials as related to their tribological properties."
—Dr. Said Jahanmir, Mohawk Innovative Technology, Inc., Albany, NY, USA

"This book very well describes attractive tribo-properties of ceramics and composites with fundamentals of friction and wear and many examples of modern applications. Students, engineers, and researchers will find this book very useful for understanding the present state of the tribology of ceramics and composites and as an introduction to modern high-tech needs."
—Prof. Koji Kato, Tohoku University and Nihon University, Japan

With Forewords by Profs. Ian Hutchings and K. H. Zum Gahr

About the Author
Bikramjit Basu, PhD, is Associate Professor in the Department of Materials Science and Engineering at the Indian Institute of Technology Kanpur (on leave) and currently at the Materials Research Center, Indian Institute of Science, Bangalore, India.

Mitjan Kalin, PhD, is Professor and Head of the Centre for Tribology and Technical Diagnostics at the University of Ljubljana, Slovenia, where he is also Vice-Dean for Research and International Affairs in the Faculty of Mechanical Engineering.

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