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Enfranchised by ever-improving software innovations, a new wave of designers and graphic artists now have a hitherto undreamt of digital tool box at their disposal. Now that the technology can keep pace with the creaor's imaginations, there has been a worldwide explosion in digital art. This book samples the very best work being produced by the leaders in the field from all over the world. It includes contributions from innovators such as Lou Zadesky in the USA, Studio EggMan in Japan and the Norwegian Union Design. Stills from each piece of work are accompanied by details of which software the artist has used to create his effects. Also, included are 2 CD-ROMs which allow the reader to view the moving images featured in the book.
- Sales Rank: #5718007 in Books
- Published on: 2001-11-05
- Original language: English
- Number of items: 2
- Binding: Hardcover
- 168 pages
About the Author
Andreas Lindholm is a founder member of the Stockholm-based Megafront. Anders F Ronnblom is a part of the Swedish design practice Matchbox
Most helpful customer reviews
4 of 6 people found the following review helpful.
they weren't joking - 50/50.
By B. Erickson
when i come across an artifact like this, i take it as a proof that the universe is truly incomprehensible, that meaning is arbitrary, that, at the very least, the entire canon of human values is so much worthless nonsense, and as such, it can't possibly matter that i'm about to graduate with a degree in design/illustration and i sometimes freak out over whether i'm "good enough."
how does such a one as ronnblom get published. how does this happen. somebody explain this to me, because the fact has overturned my entire universe of meaning. i'm not just being a design snob... if a high skool freshman showed up blazed for art class one day (having only taken it as an elective blow-off easy A in the first place), and happened to sit down in front of photoshop and mess with it for an hour out of sheer boredom, he might produce something similar, if more sophisticated.
lindholm's stuff (by contrast) is well-organized and attractive. don't talk to me about "dated." digital images are dated by the time you print them out; let's just grant that and get on with separating the gold from the dross, cuz good design is good design and bad is bad. (i believe that in spite of everything.) you wouldn't know it from looking at this book though, which brings me back to my original point. you see some really visually interesting vector and photoshop/3d pieces of lindholm's in the first part, and youre on a certain level, and then you get to that utter garbage from ronnblom and it's really upsetting. later they collaborate, and you can literally separate out which parts of the compositions ronnblom screwed up with his unfortunate use of filters and what-not. finally there are some interesting pieces by various designers more or less within the aesthetic that lindholm uses in his pieces - vast, technological-looking environments with layers of photoshop collage and vector line drawings and schematics, typically organized around a "burst" of 3d objects and text.
this is a decent book, and the CD includes a lot of "fun extras." really the only thing to warn you about is ronnblom - have i mentioned him yet? be prepared. otherwise enjoy, even if it makes you feel cool about yourself to call it "dated."
1 of 1 people found the following review helpful.
Still a pleasure
By fefifofum
I've owned this book for a few years and I still find it a joy to look at. Quite frankly, although I admire and get great pleasure from Andreas Lindstrom's work, it's Anders F Rönnblom that draws me back. His work is risky, different, strange; and like all such experimental work, is up for the usual share of negative comments: it's not safe, pre-approved by the design corporation. If you want technologically stylised à la mode images then, as has been said, 50% of the book will suit you. But if you also want some avante garde/experimental work you'll love it the more.
7 of 7 people found the following review helpful.
Future of Design
By A Customer
Every designer has a vision, to surpass all thats been done before them, to move forward with new ideals and create a new standard for which others may follow. This book is the future of design. Everything in this book is brand new and fresh. The designs range from biomorphic to minimalist, chaotic to organic and most of the time they just all meld together to form one dynamic form like nothing you have ever seen. Metalheart is a book like no other, if you are lucky enough to get your hands on a copy it may very well change your whole perspective on design. ENJOY!
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